Saturday, December 10, 2011

To Have Known Frida Kahlo

    Intense emotion for another artists work and overwhelming powerful connection to the artist themselves can seem spiritual or even mystical. The feeling enthralls and drives an unseen force through the hands of the artist; like pulsating synapses of energy from one mind to another and a pure understanding of the others  pain, heart break, and their life. From a madness comes the vision and then the creation of visual form in which another can see but never feel the roots from which it grew.

 Rick Moreno Knows Frida Kahlo; may be not in life but in a surrealist world of rich color and inner vision he has touched the artist who inspires the depths of his mind and the soul of his art. The doors of his sanctuary are seemingly ordinary; just another street... just another house... just another person living within, but beyond the threshold is a world that is culturally emmense, bursting with vibrant hues and symbolism of ancient beliefs and ideals. Rick lives for his art.

Creative energy radiates through him as he speaks in a  uncontainable excitement, for which only the surfaces on which he paints is powerful enough to contain. Passionate seems so vague a word to describe ,  but when there is no words to depict you must let the work speak for itself. 

Although the painting is not completely exposed in this photo it is stunning and breathtaking with it's vibrant with motion and colorfully full of life.
 
    
Frida is present in much of Ricks work, but she is not just a inspiration or a influence, nor is she muse. It is holy and beyond mortal understanding. Their are some who are truly immortal. Their eternal life enriches the lives of those who may exsist in other time but are connected though a high power, and it is that unexplainable phenomenon of two souls connected over decades of time which the art of Rick Moreno is created.
I greatly admire not only Rick's work and his connection to Frida but I also admire him as a person. Just like his paintings he is vibrant, full of life and culture; there is no mistaking that this man breathes art and it is rooted deep in his soul, which he shares unselfishly with everyone he meets. He is truly a amazing man and artist and I am honored to know him.

Saturday, September 3, 2011

Reflections of an Artist


I.O.U. (Self-Pride), 1929-1930
 "What can I do? In a narrow mirror, display the part for the whole? Mistake the aura and the splatterings? Refusing to throw myself against the walls, throw myself against the windows? While I wait to see all this clearly, I want to hunt myself down, to thrash myself out."                              
                                                           ~Claude Cahun
   Self portraits are deeply intimate reflections of an artist's internal being. Through mirrors there is disillusion and manipulation, but through the lens of a camera the soul becomes it's prisoner when the shutter closes and it is then exposed. There is no turning away from that moment; it is forever. Every line and wrinkle of time, even a second of rapture or a life time sadness appears across the silver gelatin plain of every photograph. No other autobiographic portrayal could be more true for it is not a memory to share but a precise piece of emotion in times ever shifting hands.
Claude Cahun, Que me veux-tu?, 1928
"What do you want from me?"
  The riveting and breath taking photography of Claude Cahun (Lucy Schwob) strikingly tells the artist's tale of a world without a name or a identity. Every glimpse is masculine and feminine at once. Peculiar without realization that we are both, but in awareness there is empowerment and sensuality. Cahun's body of work is sexless, genderless and erotic. 

Untitled (self-portrait) 1929

Untitled (self-portrait) 1929
San Fransisco Modern Art Museum



The art of androgyny. Not to dress as a man or a woman but to completely remove those very words from language and express though pure emotional experience. Cahun ambiguously embodies this ability through out every photograph; with overwhelming surrealism it became highly recognized in the early movement in the 1930's. Imagine the strength to live in a era when being this open and expressive was not understood and ultimately faceless in the world. No holding back. Complete fearlessness. A coveted need to eviscerate one's self  for all to see, to know, to be aware. To exist is everything.   
                                                                            

Friday, August 26, 2011

The Touch of Picasso

                                
 "I wish to reach the point where the viewer cannot see how I painted my picture. What does it matter? My only wish is that nothing but emotion rises from my picture." Pablo Picasso

A Woman's Profile On a Red Back Ground
Oil on Canvas  1959
Bears strong resemblance to wife, Jacqueline.


I've never felt such a connection with an artist as I have with Picasso. His restlessness to create was fueled by his belief that if he stopped painting death would take him. There has never been another like him with such prolific work that is so within our reach. He died almost forty years ago on April 8th; the day I was born, and to this day he is still considered the most innovative  painter and sculptor of the 20th century. His paintings come to life with the faces of those who were closest to him, friends, family and lovers. Through his visions he immortalized his subjects as they inspired each stroke of his brush.



  "Picasso" by Felicie is one of the most beautifully written books I've encountered about any artists; possibly because Picasso himself hand his hand in it's creation as well. Without biographical references the book is purely about the his inspirations,
 his art and of the unseen world through the eyes of a genius.
  

"Picasso" artfully
portrays a man who lived and breathed his love of creation.
   Through the lens of friend and one of the only photographers privileged to enter his studio, Edward Quinn, a almost voyeuristic intrigue overcomes you. His photos are  intoxicating images of precise moments of stimuli being absorbed and inspiring the future of his art work. From a moment in time to his translation onto canvas, the artist would be engulfed in that exchange of energy which some would never be able to comprehend or appreciate.




Slight and insignificant truths overwhelmed me when reading this book and seemingly cause this connection I feel. Picasso hand painted all the dishes that he ate off, his first sculptures were constructed with junk and garbage, he did a lot of his early work on just pieces of cardboard, his love of animals and insects as well as his love of the circus. 

The Mountebanks
Oil on Canvas  1905




















 "My night is magnificent,I even prefer it to natural light. You should come and see it...this light which sets off every object, these deep shadows which circle the paintings..." For it is these dark and profound lines which I find most beautiful in all his shapely and most abstract work.  



Les Femmes d'Alger
Oil on Canvas  1956
San Fransisco Modern Art Museum



Life
Oil on Canvas  1903
San Fransisco Modern Art Museum
  Through color Picasso painted his own state of being. The "blue period" was in fact all painted in bluish tones and hues. This was influenced by the suicide of his friend for the love of a woman who Picasso in fact began an affair with after his friends death. He paints the male figures of his lost friend through out this time of melancholy and guilt.  The "rose period"
 with soft hues of pinks and reds was significant of a time of romance for Picasso.


  Two of my favorite paintings are "The Dream" and "Portrait of Jaime Sabartes", however how can one be so naive as the pick a favorite and honestly I haven't see these beyond the pages of art books and reproductions. After a visit to The Stein Collection exhibit at the San Fransisco Modern Art Museum the feeling of actually seeing Picasso's work changed the whole perspective on his art. It's in front of you, the radiant colors, the texture of each stroke of his mood; sometimes soft and heartfelt and other times furious. There is a desire urging you to touch and the frustration that there are others around you who that you just wish would completely vanish. Alone with the peice so that you can be over come by the image Taking it in into yourself through your every pore; burning a imprint from his mind into yours and completely absorbing the artists touch onto the canvas as if he were touching your body himself. This is how I felt when I saw "Seated Nude" (not depicted for no photography was allowed in the exhibit).http://pablo-picasso.paintings.name/rose-period/ Never could I say I love one piece more than another for through out his career he has been a chameleon and shown the world how the effects of the surrounding world translates through the artists mind. Picasso radiates energy of life even after death; he is immortal.

Portait of Jaime Sabartes
Oil on Canvas 1901



Stein Collection at the San Fransisco Modern Art Museum thru Sept. 6th

Picasso Masterpieces at The De Young Museum thru Oct. 10th 
 (I look forward to adding my experiences from this exhibit next month!)